Ryan Coogler does it once again with ‘Sinners’, his 1930s-set visionary take on vampires. This is a writer/director practically batting a thousand (‘Fruitvale Station’, ‘Creed’, ‘Black Panther’). From the opening scene to the closing, Coogler holds the audience in the palm of his hand, once again choosing to use genre to tell stories of black… Continue reading ‘Sinners’ – Somehow Comes Up With a New Vampire Metaphor?